“A,”
an exhibition highlighting the achievements and visions of 13
diverse women, opens Friday, April 23, in the Visual Arts Center
at Boise State University. A free reception will be held from 5-9
p.m. in the Liberal Arts Building (Gallery 1) and the Hemingway
Center for Western Studies (Gallery 2). Free parking for the
reception will be available in the Liberal Arts parking lot.
The exhibition, which runs through May 5, displays a
culminating body of individual work by bachelor of fine arts
students. Gallery hours are 10 a.m.-6 p.m. Monday through Friday
and noon-5 p.m. Saturday. The artists and their work are as
follows:
• Emily Booth’s paintings explore the essence of place
through the juxtaposition of geographic elements, subtle text and
faded images in retrospect to pictorial recollections of the mind.
• Nancy Brossman’s landscape prints reveal her love of
the region in which she lives. Often produced outside and on-site,
her portraits of Southwest Idaho combine dry-point engraving and
acid etching on copper, finished and printed in the studio.
• Brooke Burton constructs miniature dioramas out of
paper and uses pet birds as actors. She then stages the birds
“performing” everyday activities. The results are hyper-realistic
color photographs that seem playful but have an underlying edge of
something dark and disturbing.
• Jenni Brown’s paintings and sculptures are records of
a physical process while the energy and enthusiasm involved remain
evident in the finished works. She seeks to evoke an emotional
response and to set a mood.
• Debbi Evans’ “Conversation Piece” is an installation
representing 21 anonymous real women. This is a collaborative
project between the artist and the women using their personal
items, their own words and music to represent themselves as
honestly as possible. Using found objects and donated items, each
woman comes to life as she reveals how she views herself and how
she believes others view her.
• Sylvia Hamilton’s sculptural work explores her ideas
about the processes of life, aging and the desire to escape from
the trap of time.
• Heather Hugues creates illustrations inspired by
Celtic Irish art. She renders characters from Celtic mythology,
incorporating knotwork drawn from medieval manuscripts.
• Angela Katona-Batchelor’s work deals with the pain,
breakdown and regeneration of the human body. Her work is inspired
by her realization that despite all of the tragedies and suffering
we go through, life is still meaningful and there is hope for
something better beyond our physical existence.
• Annie Murphy’s art is driven by the development of
personal iconography that avoids cliche feminist imagery, while
adding her own personal layer to the complex social structure of
what it is to be a woman in the 21st century.
• Jolena Nelson’s work is a representation of the
different stages of transformation in a woman’s life. Her oil
paintings captivate the iconography that represents “woman” and
the traditional role of her as human and as spirit.
• Kelly Pereira’s photo-constructions explore the
discomfort of socially constructed placements of women through the
ages, while also showing her own progression to escape these
roles.
• Lora Stoyanova’s contemplative paintings of toy clowns
and everyday objects re-examine the shifting meaning of artifacts
in one’s own life. The imagery is informed by the artist’s current
geographic displacement, childhood and past experiences.
• As a graphic designer, Misti Tracy is constantly faced
with combining imagery with typography and is interested in how
those two elements work with and reinforce each other. Tracy’s
work also deals with the creative process behind how ideas are
formed.
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Contact
Kathleen Keys
Gallery Director
208 426-3994
kathleenkeys@boisestate.edu
Media Contact
Kathleen Craven
communications and marketing
208 426-3275
kcraven@boisestate.edu